The one that existed nowhere— except inside her mind.… At twenty-three, Mara believed that becoming a painter was simply a matter of drawing enough. So she drew. During the day, she worked at a small flower shop near the rented room where she lived. She arranged bouquets, trimmed stems, changed the water in buckets, swept petals from the floor, and learned the names of flowers that arrived from farms and wholesalers before sunrise. At closing time, the shop usually discarded flowers that were beginning to wilt or had been damaged during transport. Mara was allowed to take some home. She began with roses. Then tulips. Then irises. But eventually, she became obsessed with lilies. She loved their geometry: the long, curved petals, the six stamens emerging from the center, the way the flower seemed simultaneously delicate and almost architectural. She drew them from different angles, under different lamps, with the petals ope...