“Released into the world.”… The first thing the young curator learned at the British Museum was how to speak about the past without ever mentioning the word violence. They used softer phrases. “Acquired during the imperial period.” “Collected through expedition.” “Transferred under complex circumstances.” On her first day, she stood beneath the glass ceiling of the Great Court, watching light spill over stone that had outlived empires. Eight million objects lived here—two million years of human history compressed into labeled silence . It felt less like a museum and more like a gravity well. Her job was in Provenance Analytics. Not the romantic archaeology she had imagined at university, brushing dust from forgotten relics, but something newer—something sharper. A system built on multimodal AI models cross-referenced inscriptions, isotopic signatures, shipping manifests, colonial military logs. It didn’t just tell you what an object was. It told you how i...